What is this all about?
I always have many great ideas when asked to write something to share,
but by the time I get the page ready for words to appear, I have forgotten them
all! It’s similar to when I have a design project for a client when they have
not told me what they want!
“Will you please tell me what to write about? Please!” In my own ear I
sound like a sniveling child. “No
Peter! There are thousands of things we talk about, so pick one!” I hear in my
ear
reminding me of
Finding
Forester for inspiration: “Punch the
keys for God’s sake!” as Forester tells Jamal. So I sit here attempting to describe a
process I go through rather than write about something you might want to read! I
know I can hit the delete button when I finally get to something worth reading,
so it’s almost like a standard thing with me; write, edit write more, edit more. “Come on! Get it started! It doesn’t matter where you start! It’ll become obvious when you get into it,” I tell myself, imagining a group of cheerleaders from Saturday Night Live! And that’s almost enough to make me stop altogether. Imagine Will Ferrell duplicated, but not identical, as if each of them wants to be different from the other while still being Will Ferrell!
No way! Suddenly I wonder how much I
copycat, yet still inject
enough to make it a variation on something already existing somewhere in
someone’s house, someplace, somewhere, some day! I can hear “Westside Story”
ringing in my ears. I almost always start a design project
with an objective, letting design follow function. The greatest contribution I
make to the design community is by being a master assistant, helping a project
become better, easier, and/or more efficient. I have done many creative things
in my life, in different arenas, and I find creativity seems to invite different
mediums as well as different purposes to keep my challenges alive and fresh. I
actively search out real design challenges. I attempt to never do the same
things twice, and if the client truly wants what they have seen from a previous
project, there is always room to improve it while still keeping the same
“flavor,” so to speak.
I have always loved kitchens the most because they are the most complicated and
specialized places. When I have done designs for chefs, I get to asking detailed
questions even they may not have thought of, like
are you left-handed, and
where would you reach for each item you
need? A kitchen is unlike any other residential space I can imagine.
Commercial kitchens mostly fit a formula for the process of filling the plates
efficiently, quickly, and correctly. Commercial kitchens also have many work
stations for the highly trained personnel. A specialty kitchen with one chef is
a wonderful opportunity to make the space the most creative it can be.
There were a few shows in the eighties
that came close to this theme, and watching shows back when they were not
shouting matches, gave me insights into the freedom a chef can have in a kitchen
designed especially for the chef. When I stop and think about kitchens and
baths, I realize there are almost never two alike. Each of my 188 designs was for a
different client, different needs, different cabinets and different budgets.
With all these ingredients (I’ve been waiting to use that pun) these
residential rooms are my favorites. Commercially, I love a reception area, the
conference room, and the big offices in the corners! For a restaurant, it’s
about the views externally or internally, with artwork, and smiling service. Knowing my limitations helps me as well! Another son was studying how
businesses are put together, and one day he sent me a letter with a single
question: “Peter, please define your creative process for me.” I had never
actually defined it for myself, but while listening to the sentences I use, I
found the common starting point is question/answer time, followed by a budget if
possible, and then I almost always say, “Let me see what comes out of the pencil
tomorrow.” When I sent this to him he replied,
“Please be specific about how what feeds the pencil,” or something like that.
The next morning, I began to describe my process as I had never defined it
before: I imagine standing in an open space without walls and a ceiling yet
comfortable. About ten feet around me is a cylinder of documents, drawings, and
bits of information. The cylinder is about eighteen inches thick, twenty feet in
diameter, starting about a foot above the floor, and as tall as I can see. These
individual documents don’t bump into each other. They rotate slowly upward from
left to right and rise about 2 feet with each revolution. I can’t really see the
details on the pages, but I know they contain all the information needed. New
documents appear at the bottom and evaporate at the top. It’s all very Virgo;
neat and clean with no waste.
When I feel ready, I close my eyes, cup my hands as if to catch water, and
everything I need to start creating, falls into my hands, or rather directly
into my head. The belief I have is all
knowledge is suspended like a giant web surrounding the planet. My challenge is
to tap into this web and use what is appropriate for the task at hand. How I put
these creative bits together is the uniqueness I reflect about the project. Many
times I have this GREAT IDEA that will change the world, and then discover
someone else has done it! The idea of a patent may come from the possessiveness
some people have, plus the belief in the money they may make. I do know patents
do not make money. Products require
manufacturing, which is not a click of the fingers. Then the product needs
marketing, distribution, and support, not to mention warranties and legal
restrictions. This is BEFORE a sale, so the investment to get to the market
place is an expensive and long path. Usually my ideas flow early in the
morning. While I rest, and my mind takes a break, the creative part of me begins
to formulate a result. I used to doodle, and from the doodles came the
beginning. Now with a computer to design in 3D, I begin with any part of it. I
can add/subtract/duplicate/change any part of it, or hit DELETE and star over
the next morning.
So what’s the down side? This is a
stretch for me. It may be that we don’t use technology enough. Often clients
believed if I can draw it on a blank page, I could undoubtedly build it.
However, a computer generated drawing might be created by someone who has never
cut a board, hammered in a nail, or even knows what a router is, let alone how
to finish, paint, and install whatever it might be. Another downside I experience more now
than ever, has to do with the complications of these computers and the software
I need. It occurred to me a few years ago to ask for, or find a list of the
keyboard shortcuts. When I count the shortcuts, I know how many commands I will
need to learn to use the program. For one of my architectural programs there are
380 shortcuts, or commands. This means I need to learn a minimum of 120 to
start, and another 100 to become average, and the rest to use the program at its
maximum. Now in my seventies, my experience is far greater than my computer
skills. I look forward to teaming with younger nerds. I had one assistant who
loved to click! I disliked 20/20 because most actions took 5 clicks minimum.
This seemed a waste of time and not very creative. My assistant loved to click
away! Teams can be both a burden and a joy.
The periods when they were a burden, I was arrogant and single minded. The times
when the team was a joy, the project got better every time there was a change, a
solution, or a new person making a contribution. My best successes came from a
team of people bringing their perspectives and experiences to the project and
made it better. When I was young, I did everything
myself. As I got older, I began to search out solutions from masters who had
experiences they shared. My life took some shortcuts. In my midlife, I found
room for other masters to become part of the solution. I also sought out people
who had mastered their craft, like finishing, welding, and technical issues.
Now in my later years, it is I who can contribute my experiences in every way
needed. As I mentioned, I consider myself a Master Assistant, filling in the
gaps which can make the project easier, better, and successful for the client. A
successful project creates a happy client. A happy client usually pays the bill
making us all earn a living. A successful project sells a future project.
Referrals are the best part of the creative business. This creative business is
built on an idea becoming reality, creating a smile, and filling the needs of a
client who trusts us to make their dream come true.
What is the saying?
It takes a village to make a dream come true.
Sincerely, V5 Thursday, December 18, 2016
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